Instruktorzy
We would like to introduce trainers of the zaPLeCZe project
Polish trainers:
- Bartosz Cybowski
- Lena Majewska
- Jakub Roszkowski
- Wojciech Tremiszewski
- Patryk Zakrocki
- Katarzyna Zawistowska
Czech trainers:
- Pavel Bednar
- Martin Vasquez
Bartosz Cybowski
He is a lighting director and theatrical space arranger. He works as an independent professional, co-operating with numerous artists from the Tri-City dance theatre stage, such as: “Sopocki Teatr Tańca”, “Teatr Fizyczny Iwony Gilarskiej”, Anna Haracz’s “Kino Variatino”. He participated in many theatre and dance festivals in Europe, South America and Asia, e.g. Tanz Art Festival Goerlitz (Germany), Festival Le Printemps des Poetes in Luxembourg, Europaische Tanzplattform in Frankfurt (Germany), Euro-Scene Festival Leipzig (Germany), Centro Cultural MOCA Buenos Aires (Argentina).
He works as a lighting director for numerous independent choreographers in Poland and abroad, such as Takako Matsudo, Roberto Olivan, Anna Piotrowska, Dorota Łęcka, Lena Majewska.
His other passion to which he devotes his free time is photography.
He works as a lighting director for numerous independent choreographers in Poland and abroad, such as Takako Matsudo, Roberto Olivan, Anna Piotrowska, Dorota Łęcka, Lena Majewska.
His other passion to which he devotes his free time is photography.
Lena Majewska
She graduated from the Art Academy in Gdansk. She teaches dancing, singing and acting. Her projects combine dance, theatre, music and architecture. Together with the PLAJ performance group from Gdańsk, she represented Poland at the Biennale of Young Artists from Europe and the Mediterranean in Italy and at the Exhibition of Contemporary Polish Art “Grannar - Neighbours” in Karlskrona in Sweden. She trained at Prof. Maurice Huvelin’s film studio at the Institute d’Art Visuelles in Orleans, France, where she created an international project with Josef Nadj’s dancers.
She is the author of an over 4-year-long interdisciplinary drama project “Parallel” in the Art Academy in Gdansk. She has been into theatre for 15 years now.
She is the author of an over 4-year-long interdisciplinary drama project “Parallel” in the Art Academy in Gdansk. She has been into theatre for 15 years now.
Jakub Roszkowski
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He graduated in Drama Production from the National High School of Drama in Cracow and he was awarded the grant of the Ministry of Culture and National Heritage. Playwright and director, author of adaptations, translations and stage adaptations of various texts. Since 2007, he has been working as a playwright in the National Theatre Wybrzeże in Gdansk, where he has contributed to such performances as Blaszany bębenek (Brass brum), Słodki ptak młodości (Sweet bird of youth), Zwodnica (Changeling) or Zmierzch bogów (Twilight of the Gods). His drama Morze Otwarte (Open Sea) was put on the stage by the Szczecin Contemporary Theatre.
Patryk Zakrocki
An improviser, composer and sound artist. A self-educated musician. He has also had classes of music composition with Professor Bogusław Schaeffer and of oriental music with Maria Pomianowska. His main areas of interest are chamber music, electroacoustic music and all kinds of radio plays. He is a violinist and a sound designer, creating music for theatre, movies and fairy tales. Ha has published 10 albums, in Poland and abroad. He has composed music to theatre performances, as well as documentary, short and silent films. His multichannel surround compositions were presented in Zachęta gallery and Ujazdowski Palace in Warsaw, as well as in the Modern Art Centres in Torun.
He is currently a member of Sza/Za duet, where he plays violin, viola and electric mbira. He also changes melodies in old musical boxes and directs the Zakład Produkcji Dźwięku company (Sound Factory). www.zaklad.org
He is currently a member of Sza/Za duet, where he plays violin, viola and electric mbira. He also changes melodies in old musical boxes and directs the Zakład Produkcji Dźwięku company (Sound Factory). www.zaklad.org
Katarzyna Zawistowska
She graduated in interior design and stage design, and did postgraduate studies in “architecture+dialogue” at the Art Academy in Gdansk, where she has been working since 2003, as an assistant in the Stage Design Workshop. In 2007 she participated in the 11th edition of Stage Design Quadriennale in Prague and in 2008 - in an Art Residency Program in Hooyong Performing Arts Centre in South Korea. Since 2008, she has been working as an art consultant for the Józef Szajna International Festival “Zdarzenia” in Tczew.
Pavel Bednář
He graduated from Performing Arts Academy in Prague with Masters in Drama Education. A former member of a pioneering company The Bear Educational Theatre using drama as a device for language education in state schools.
During his extensive stay in UK he was part of The Performing Arts Course initiative in Stroud working with people from all walks of life who committed themselves to creative exploration of speech and drama producing some remarkable plays in local community settings.
His own acting career ranges from puppetry to Commedia dell’Arte. The masks of traditional Commedia dell’Arte and the characters portrayed inspired him to study masks as a tool for self-exploration and personal development. He has been also involved with The Mask Studio of Mike Chase exploring the phenomena of masks both as a maker and an actor.
Martin Vasquez
He has been improvising in Prague since 1998. A former member of Czech Improvisation league, currently performs with the most famous impro-group PRALINY and on his own created show "Improshow Austria". Known for his multiple characters, there's no telling what he may do or who he
may be next.
How I teach: Improvisation skills have many benefits for any age group including heightened confidence, improved public speaking skills, enhanced listening and observation skills, refined creative thinking abilities, improved decision making skills and team development skills.
So learn to move beyond the script and immerse yourself in the art of improvisation. During the workshop you will learn about making up lines, spontaneity in acting, thinking quickly in auditions and most of all, how to have a laugh!
may be next.
How I teach: Improvisation skills have many benefits for any age group including heightened confidence, improved public speaking skills, enhanced listening and observation skills, refined creative thinking abilities, improved decision making skills and team development skills.
So learn to move beyond the script and immerse yourself in the art of improvisation. During the workshop you will learn about making up lines, spontaneity in acting, thinking quickly in auditions and most of all, how to have a laugh!